Page 179 - Dark Matter Women Witnessing
P. 179









George turned to his sweetheart of forty years, the woman we wondered why he 

had never married, Marie, remember those shooting stars? Behind the barn? 


Perseids.




Yes. She unfolded her napkin. August in Pendleton. Your father’s dapple-gray 


mare in the north pasture, the one with the blaze. On our backs in grass and the 

universe above us. That night started it.





Notes:

The 2010 census found that more than 80 percent of Americans, like me, live in 


urban areas. Human beings have lit up the world with traffic lights and street 

lights that never sleep at night. Some nights, even on nights without Oregon's 


fogs, it is hard to see the Big Dipper because the night sky is filled with 


reflections of urban light. As a plane descends into Portland I can track where I 

am by the brightness of the freeways, the position of the parking lots around 


malls. The alienation I feel at times from the night sky is similar to a divorce. 

Something I knew well, something I trusted -- is gone. It's possible to buy into 


eco-tours to travel to the darkest places on earth to experience what the night 


sky looked like to human beings for thousands of years. Most of us have to work 

to take children somewhere distant from where we live to see the Milky Way. 


This is the feeling that prompted me to write this poem.




About the Author:

Tricia Knoll is an Oregon poet who lives in Portland where 


the night sky is often not as brilliant as she would like. Her 

work leans often toward eco-poetry -- including her recent 


collection, Ocean's Laughter, about a small town on Oregon's 

north coast (Aldrich Press, 2016), which combines lyric poetry 

with eco-poetry. Her chapbook Urban Wild (Finishing Line 


Press, 2014) looks at how people interact with wildlife in 

urban habitat.













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